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Netflix’s super-political drama House of Cards returns for its 3rd period Friday, and also if the Muppet version wasn’t enough to hold you over just before you watch all the brand-new episodes in one resting this weekend break, we’re below to help.

Boss (2011 – 2012)

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In Boss, Kelsey Grammer stars as a hard-ass Chicago mayor (which is possibly repetitive) whose legacy and also command begin to collapse when he is identified with a degenerative neurological condition. That does not imply he can’t still walk all over his beleaguered personnel and try to bully his means via the upcoming election for the governorship.

The show is an examination of just what occurs when control freaks lose command, and Grammer handles it all with the kind of madness as well as awful, despotic actions you would certainly expect.

The West Wing (1999 – 2006)

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Aaron Sorkin’s West Wing complied with the inner functions of a governmental management, up to and also consisting of the election of the next leader. This long-lived program is essentially required expecting any person which considers themselves a fan of points both political as well as significant. As well as it’ll offer you something to drop back on after you plow through all of those new House of Cards episodes.

The Manchurian Candidate (1962)


John Frankenheimer helmed The Manchurian Candidate, a Tension classic regarding an American soldier (the quite British-sounding Laurence Harvey) who gets recorded, taught as well as become an assassin. It’s all place of an even larger and also much more convoluted plan entailing the soldier’s domineering mother (Angela Lansbury) and her McCarthy-esque moron hubby (James Gregory). And Frank Sinatra is there, also, as another hypnotized G.I. trying to make sense of it all.

Richard III (1995)


This mid-’90s adjustment of a Shakespeare play may not be easily offered, however House of Cards followers ought to certainly track it down due to the fact that it is basically the exact same plot with purtier words. Richard III is embeddeded in the 1930s, with Ian McKellen playing the eponymous Kid of York who bumps off everyone standing in between him as well as royalty. And he does it while often attending to audiences directly to permit us in on his wicked systems – because his ego requires an audience, and also he has no real friends.

So basically, Frank Underwood is Richard III without the hunchback.